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So, the widest aperture is not available across the focal length range. The 24-70 mm might be better in some aspects but the difference in pricing is just not worth it in my opinion. Then Sony E Mount Lenses started trickling in, albeit slowly at first. Sony doesn't specifically advertise their lenses as being completely weather sealed, but they do have a certain level of dust and moisture resistance built in. But we have a very hard time passing on a G Master lens when available, not to mention the f/4 is good but not great from an optical perspective. E-mount full-frame prime lenses for the Sony Alpha 7 series. The mirrorless revolution is in full swing. Weight: 27.6 oz. However, zoom lenses tend to be slower, bulkier, and heavier than primes. For those looking to try out astrophotography or any type of night shooting, lower numbers are a huge plus and it's not recommended to get anything slower than f/2.8. From there the sky is the limit. Category: PortraitWeight: 13.1 oz.What we like: Super sharp, lightweight, and a great value. Free Travel Photo – Old Town Tallinn Estonia, Camano Island State Park | An Awesome Campground, Photo of the Day – Seattle Space Needle & Mount Baker, Photos of the Day – A Man and His Best Friend, Photo of the Day – Tirana (Albania) Skyline, Photos of the Day – Rousanou Monastery of Meteora, Save money from epic photography gear guides and round-ups, Learn to travel better and longer from travel tips and resources, Get free travel photos and other freebies, We don't like SPAM so you won't get any from us, @2020 - Always Wanderlust. A Mount E Mount. It takes most decision making and lens switching out of the equation. Tamron and Sigma are the most well known third-party lens manufacturer. So, with that in mind, let’s get to it. 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Welcome to our Darkroom! This lens can fit anywhere, and it’s lightweight and fast without sacrificing the optics. Check out my Canon Lenses Guide for Travel. Type: Wide-Telephoto At just under $1,100, this lens offers versatility and impressive corner-to-corner sharpness for everything from wide-angle photos to portraits. Weight: 23.4 oz. It’s not a bad lens by any means, and it matches pretty well with older Alpha cameras, but we prefer the f/2.8 or faster primes. The lens features a constant f/2.8 across all focal range, making it great for low light situations. There’s a much wider range of prime lenses with a fixed focal length available for the Sony Alpha 7 series. An addition of a super wide-angle like the Sony 12-24 mm f4 G lens below would make it complete. Distortion is heavy, softness is present and particularly in the corners, and the OSS image stabilization is largely unnecessary (Sony has added built-in image stabilization to all of its latest camera bodies). The Alpha 7C is the world’s smallest and lightest[1] full-frame … For professional sports and action photographers, it represents a viable telephoto zoom option for Sony mirrorless, and will be depended upon to perform during big events from the Super Bowl to the Olympic Games. Sony also claims that the Alpha 7C is … Sony Full Frame Lenses - Explore our high quality range of camera lenses. It’s true that the FE lens options for Sony still are more limited than the offerings for Canon and Nikon cameras, but the collection is growing and far more impressive in 2020 than even a year ago. Pros: Huge coverage for travel and can be your one and only lens Weight: 49.3 oz Adapters also tend to be noisy, making you cringe a bit when changing aperture and grabbing focus. The Sony Vario-Tessar T* FE 16-35 mm f/4 Zeiss Lens is a great choice for a wide-angle zoom lens. It’s extremely sharp all the way to the corners (Zeiss primes are known for their sharpness), has little distortion, incredible color rendition, and fast autofocus. Unfortunately, the image quality of this lens leaves us wanting. For around $550, you get excellent sharpness (even when wide open), fast and accurate autofocus, premium build quality, and a reasonable weight of 13.1 ounces. Type: Wide-Telephoto Having started following your work, I have become particularly interested in photography as I have gained a lot information-wise. The f/2.8 is a sharper lens and gives you an extra stop. If you pair it with teleconverters like the Sony 1.4x or 2.0x you can get even more reach. It is also worth noting that you can use Nikon and Canon lens through the use of an adapter on Sony full-frame cameras. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. It’s perfect for lowlight and astrophotography, with excellent coma performance. Typically, the more expensive the lens is, the higher quality the build will be, which often translates into it being more weather resistant. It’s not the fastest lens, but the constant f/4 aperture means you can retain the same brightness and speed across all focal points. In addition, the build quality of GM lenses is superb, with premium elements and weather sealing (outdoor and travel photographers make up a big part of Sony’s constituency so this makes a lot of sense). Sony made a big splash with the release of the speedy a9 camera body, but they needed the telephoto lenses to match. BEST IN CLASS: Sony FE 24-240 F3.5-6.3 OSS Lens | Price: $998 Full-frame E-Mount telephoto zoom lens with the versatility to stretch from true wide-angle to super telephoto perspectives. The truth is that you can’t go wrong with either, but we prefer the smaller size and lower price of the f/1.8.See the Sony 55mm f/1.8. Here’s the complete list of all Sony’s Line of E Mount Lenses. However, Sigma recently released Sony FE mount versions of many of their "Art" lenses (our favorite is the 85mm f/1.4 Art) and plan to continue rolling more out. But Sony later added the G Master version, which—for serious landscape photographers and other wide-angle professionals who frequently shoot at night—is difficult to pass up. In addition, the Sigma isn't completely weather sealed, although it does feature a surface treatment and rubber sealing at the mount connection point, instilling a bit more confidence for those venturing into tough conditions.See the Sigma 85mm f/1.4 Art. ), the larger the opening and the more light can enter. You always can walk closer to your subject to mimic a 35mm or 50mm lens, but 28mm certainly wouldn’t be our first choice. Cons: A heavy prime lens that’s a little limited in its coverage and use. Type: Prime Wide-Angle Enter Sigma's Art line, which launched with Sony mounts and comes to the plate in a big way with its 35mm f/1.4. The f/4 version described above is a top-notch lens in its own right, creates better sunstars, and saves you about $900 in cost and nearly 6 ounces in weight. If you’re going to buy a wide-angle prime for Sony mirrorless, Zeiss is the way to go. Many people considering this lens are on the fence between it and the 24-70mm GM above. It's also important to avoid changing lenses in inclement weather as breaking the seal between your lens and camera will expose your equipment's vulnerable points. It tends to be sharp in the middle but softer toward the edges, and will struggle in low light with a maximum aperture of f/4.5-5.6. Last but not least, many landscape photographers generally shoot in good natural light and don’t need the extra stop of aperture (it’s generally much less important than with an indoor lens). Regarding optical performance, it’s not the best in the market. Polarizer Filter – Why You Need One and Which One to Get, How to Choose the Best Full Frame Camera in 2020, Do you want to know how to make travel (especially long-term) interesting? A Photography Gear Guide! The no-frills and functional use of this lens make it a favorite and top choice for travel photography. These lenses are designed specifically for the full frame Sony A99 … But times have changed, including the release of the Sony 200-600mm f/5.6-6.3, resulting in more telephoto options for FE. Filter thread: 72 mm If you’re in a big crowded city, this lens knows no bounds and just fun to shoot with. And optical performance from the f/4 version is great overall: the lens is sharp, has reasonable levels of distortion, creates excellent sunstars, and boasts a weather-sealed build for protection from the elements. A full-frame mirrorless camera like the Sony a7R IV is a super attractive option for serious landscape photographers, with a low weight and high-resolution sensor. … For wide-angle specialists who love pushing the limits, this is your lens. View on B&H. All in all, we like the Sony 70-300mm best for APS-C cameras (the focal length equivalent is a whopping 105-450mm), but less so for full frame.See the Sony 70-300mm f/4.5-5.6. In terms of options, the biggest point of differentiation between the Loxia and Batis series is that the former is manual focus only. It’s a matter of preference and what kind of subjects you shoot. In other articles we recommend all-in-one lenses more highly, and particularly for APS-C cameras, but it’s more difficult for such a stellar system like Sony FE. MSRP: $1,599. What are the downsides of the Sony 12-24mm f/4? In the worst case scenario, you can always contact Sony's Pro Support (if you qualify for and are approved for the program), and they'll do their best to repair it. The Sony  16-35 mm f/2.8 is the best super wide-angle zoom in existence. Full Disclosure: I am part of the Amazon and B&H affiliate program. Cons: Not the sharpest lens. Focal … I earn a small commission if you use my links to purchase a product at no extra cost to you. All things considered, it’s one of the best values on this list and an extremely fun lens to have in your bag. And with the high ISO capabilities of Sony cameras, there really isn't much reason to spend the additional $500 to gain less than a stop in aperture. In terms of numbers, we generally make the professional cutoff at f/2.8. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. The lens is sharp at all corners with a little bit of distortion – as what comes typically with super-wide-angle zoom lenses like these. Buy. MRP Rs. Similar to Canon’s “L” series, Sony “GM” lenses are the best of the best. Pros: Huge telephoto coverage and reasonably light Impressively, the 100-400mm f/4.5-5.6 is roughly the same size as the 70-200mm f/2.8 above and comes in reasonably light for a lens of this type at “just” 49 ounces. At the end of the day, all three are top-notch portrait lenses, but we like the value of the Sony 85mm f/1.8. For a workhorse lens for travel and everyday use, the 24-105mm is a great option. For our top “normal” lens for Sony full frame, it was a close call between the 55mm f/1.8 and the 50mm f/1.4 below. 217,990 (incl. Other wide-angle prime options from Zeiss include the 21mm Loxia, but that lens is manual focus and not quite as wide as we prefer for landscapes.See the Zeiss Batis 18mm f/2.8, Category: Travel/portraitWeight: 23.4 oz.What we like: Super sharp and way cheaper than the Sony equivalentWhat we don't: Autofocus is slightly slower than the Sony 35mm f/1.4. Category: PortraitWeight: 39.9 oz.What we like: Sharper than Sony's 85mm f/1.4 GM at a lower price point.What we don't: Incredibly heavy. The old 24-70mm f/4 below left most shooters feeling underwhelmed, and particularly given the ultra-high resolutions of Sony's latest mirrorless camera models. This lens is one of the cheapest and sharpest Sony E Mount Lenses ever made. Category: Travel/portraitWeight: 31.3 oz.What we like: Superb image quality.What we don’t: Heavy and expensive. Below we break down the best Sony FE (full frame) lenses, including zooms and primes from wide angle to telephoto. MSRP: $249 This article just added to my photography knowledge. Weight: 4.2 oz. Sony FE 70-200mm f/4 G OSS Lens. It’s not particularly sharp, has healthy levels of distortion, and the autofocus is mediocre. Moreover, most people don’t use a 16-35mm lens as frequently in low light as a more indoor-friendly zoom like a 24-70mm f/2.8, plus Sony's latest cameras have superb ISO sensitivity. The FE 100-400 mm f/4.5-5.6 is one of the best telephoto Sony E Mount Lenses that bears the “GM” G Master line-up from Sony. WHAT WOULD YOU LIKE TO SEE NEXT IN LINE UP OF SONY E MOUNT LENSES? Filter thread: 49 mm In addition, Sony recently released the 200-600mm f/5.6-6.3, along with 400mm f/2.8 and 600mm f/4 primes. The optics on this lens isn’t too shabby either, and it keeps the sharpness on all four corners. 20 FREE High Resolution Travel and Landscape Photos! Sony FE 85mm f/1.4 GM. Pro Tip: Check out What’s In My Camera Bag, if you’re interested in my current camera gear choices! Interchangeable lenses for the Sony E-mount digital camera series with full-frame image sensors are added as members of the Art line. Weight: 22.3 oz. Find the right DSLR lens for every photographic opportunity. Sigma uses a DC designation for its APS-C lenses, and DG for full-frame models. MSRP: $2,498 For even more reach, see the 100-400mm below (and yes, it’s a GM).See the Sony 70-200mm f/2.8 GM. If you like fast and super sharp primes, look no further than the Sony Distagon T* FE 35 mm f/1.4. We think you can’t go wrong with either, and for those who specialize in wide-angle photography, a Zeiss prime is a real treat.See the Zeiss Loxia 21mm f/2.8. Most … The cheapest AF full frame E-mount lenses are the Sony 1.8/50 and the Samyang 1.8/45. With all of this, keep in mind the old cliché, "tools not jewels." What you’re gaining in weight savings and convenience you are going to sacrifice some quality. Everything you could hope for in a portrait lens, and more besides. How much of a sacrifice? You can't enjoy photos that you don't take. This lens will allow you to travel light and shave off lots of weight from having to carry multiple lenses. However, you would have to be willing to fork an extra $800 or so and put some extra weight in your luggage. Pro Tip: If you’re interested in a smaller form factor camera like the Sony a6000 series, check out our guide – The Best Lenses for Sony a6000 series. From Sony, the 85mm f/1.4 GM is another enticing option—we absolutely love the GM line and the image quality that it produces. Full-frame cameras are the best of the best: they have the largest sensors, the most megapixels, and lenses that are simply unmatched. While offering the same high-performance optical design as other lenses in the Art line, the new E-mount models will feature a newly developed control algorithm that optimizes the autofocus drive and maximizes the data transmission speed. Interestingly, Sony mentioned in its GM press release that these lenses, “will inspire and ‘wow’ photographers and videographers for years to come.” People in the industry report that Sony is working on an 80-megapixel camera next that shoots 6K video, and that GM lenses have been tested on and were built to match that powerful of an image sensor. Would you take this lens versus the smaller f/4 version above? The lens is super sharp, focuses quickly and accurately, and produces creamy bokeh. If all that is true, it means that with GM lenses you are future-proofing your purchase in a way—it takes a very precise piece of glass to match that magnitude of an image sensor. The autofocus is fast and very quiet, allowing you to capture scenes in silence and obscurity. So far, there have been some complaints about the speed and accuracy of the autofocus in a few of the Art series lenses, but that likely will be mitigated by Sigma in future firmware updates. The limited variety of FE lenses made it a deal-breaker for most travel photographers who need the versatility and coverage of various zoom and prime lenses. The lens is compatible with APS-C sensor powered camera systems as well. Lenses are less at risk from the elements than camera bodies, but still can be negatively impacted by dust, moisture, and all of the things that can happen while shooting in extreme environments. If you’re not shooting the Milky Way at night or don’t need the extra stop at f/2.8, then you can’t go wrong with the standard f/4. The lens is sharp and considerably cheaper than its brand name counterpart. Camera manufacturer (Sony) and mounting type (E-Mount, A-Mount) considerations still apply. Six Stunning Destinations to Visit where it’s Not Crowded, Peace in La Paz, Mexico – Personal Musings of A Gringo, Where To Stay In Buenos Aires | The Best Places and Neighborhoods, Georgia Travel Guide: The Shangri-La of Caucasus, Where To Stay In Paris | The Best Neighborhoods, The Best Lenses for Sony a6000 Series (a6300, a6500, and a6400). It’s also got a quiet autofocus motor. Filter thread: 72 mm Sony Alpha Full-Frame A-Mount Lens Adapter. 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Filter thread: 82 mm This development has caused quite a stir in the market due to their remarkable sharpness, low light capabilities, and competitive pricing. The best adapter for Canon to Sony FE, for example, is $395 and is on its fifth rendition to date plus firmware updates. It’s extremely sharp all the way to the corners, excellent in low light for a wide-angle zoom, and creates crisp, life-like images that are hard to replicate outside of the GM family. If you can’t see yourself shooting above 100 mm and don’t need the extra stop then this lens is a no-brainer – It can quickly become your one and only go-to lens for travel. However, it didn’t take long for Sony to come up with a wide selection of optics for the A7 Series such as the Alpha A7R III (and the venerable Sony A7 III) to win the hearts of many travel photographers, myself included. This lens is a stop slower than the Sony FE 70-200mm f/2.8 G OSS that we just read about above. Based on extensive research, we felt it was the best 16-35mm f/4 on the market including those from heavy hitters like Canon and Nikon. The Tamron 28-75 mm f/2.8 is no different here compared to the 24-70 mm Sony. I’ve had a chance to see the Sony FE 24-105 mm f/4 in action and I was blown away! Not only Zeiss and Sony, but also numerous third-party manufacturers have staked their claim in this segment. Sony’s A7 Series full-frame mirrorless cameras are an instant hit amongst travel photographers who need the quality imagery that full-frame DSLRs produce minus the bulk associated with it. In general, zoom lenses are more versatile covering a range of focal lengths, while primes often are superior optically with faster maximum apertures and less distortion. If you find yourself shooting at a specific focal point than any other then perhaps a prime is ideal since you get the added benefit of a few stops in speed and likely much more superior optics.

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